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Streetcar for Sale(Se vende un tranvía) Details

One of the unforgettable masterpieces in the history of Movie, Streetcar for Sale, captivated audiences with its impressive cast and grand production. Released in 1959, the Movie continues to maintain its popularity over the years.

Described by many as a cult classic, Streetcar for Sale has been watched with great enthusiasm by film lovers.

Cast

One of the standout elements of the Movie is its extensive and talented cast. The main actors in this unforgettable production include:

Each actor delivered outstanding performances, bringing their characters to life, and the richness of the cast made the Movie truly memorable for audiences.

Directors

The directorial team also includes prominent names. Among them:

Juan Estelrich March's creative vision, in particular, was a crucial factor in transforming the Movie into a masterpiece.

Screenwriters

The screenplay was crafted by the following accomplished writers:

The enchanting world created by Rafael Azcona was brought to life through the talents of these writers, offering audiences an unforgettable experience.

Streetcar for Sale Conclusion

Streetcar for Sale is a landmark in the world of cinema, recognized as a cult film and continues to attract great interest today. This meticulously crafted production remains an exemplary work in acting, directing, and screenplay.

This excellent short film written by the magnificent filmmaker duo of Luis García Berlanga and screenwriter Rafael Azcona was to be part of a series entitled Los Pícaros (The Rogues) which was never continued. These two artists were responsible for such masterpieces of Spanish cinema as Plácido and El verdugo (The Executioner). Here, Berlanga and Azcona collaborated for the first time, setting the stage for the post-war "Berlanguiana" vision that would develop. José Luis López Vázquez plays Julián, a seedy swindler, who with his cronies tries to sell a streetcar to a rich but naive farmer, a newcomer to the city. High jinx ensue. With this film begins the great stage of Berlanga's filmmaking in which he mixes a little social criticism and notes of anti-clericalism with a great deal of farce.

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