El Extra Details
One of the unforgettable masterpieces in the history of Movie, El Extra, captivated audiences with its impressive cast and grand production. Released in 1962, the Movie continues to maintain its popularity over the years.
Described by many as a cult classic, El Extra has been watched with great enthusiasm by film lovers.
Cast
One of the standout elements of the Movie is its extensive and talented cast. The main actors in this unforgettable production include:
- Enrique Lucero
- José Luis Fernández
- Cantinflas
- Antonio Bravo
- Fernando Yapur
- Rubén Márquez
- Arturo Cobo
- Eric del Castillo
- Alma Delia Fuentes
- Armando Acosta
- Yolanda Ciani
- Erika Carlsson
- Manuel Alvarado
- Carmen Molina
- Irma Serrano
- Magda Donato
- Luis Manuel Pelayo
- León Barroso
- Armando Arriola
- Alberto Catalá
- Gerardo del Castillo
- Valentín Trujillo
- Antonio Raxel
- Raúl Meraz
- Nathanael León
- Guillermo Rivas
- Xavier López
- Guillermina Téllez Girón
- Alejandro Ciangherotti
- Edmundo Espino
- Roy Fletcher
- Jorge Casanova
- Armando Gutiérrez
- Marco Antonio Arzate
- Felipe de Flores
Each actor delivered outstanding performances, bringing their characters to life, and the richness of the cast made the Movie truly memorable for audiences.
Directors
The directorial team also includes prominent names. Among them:
Miguel M. Delgado's creative vision, in particular, was a crucial factor in transforming the Movie into a masterpiece.
Screenwriters
The screenplay was crafted by the following accomplished writers:
The enchanting world created by Miguel M. Delgado was brought to life through the talents of these writers, offering audiences an unforgettable experience.
El Extra Conclusion
El Extra is a landmark in the world of cinema, recognized as a cult film and continues to attract great interest today. This meticulously crafted production remains an exemplary work in acting, directing, and screenplay.
Cantinflas is a man who hangs around the studios and helps anyone who needs his advice while at the same time envisioning his own versions of how certain scenes should be shot. Both angles provide ample opportunities for very witty, subtle barbs at the foibles of the industry.